My Toolbox Part II

I talked about having a Writer's Toolbox on Monday. A Writer's Toolbox contains, well, everything we know and learn about the people and world around us as well as the books and other reference materials we can consult. It's where we go when we're stuck. When you dig deep, it's these tools you are relying on. So, on Monday I gave you a list of my top 10-6th items in it., and today I round out my top ten.

5. The Three Hs – humor, humility, and hope.

Writing challenges on many levels. You can hit a wall and fight with your characters. You can become despondent waiting for and receiving rejections. Just the opposite happens when you get an acceptance or someone leaves a positive review. You have to take the positive and negative in stride otherwise you’ll give up.

4. On Writing by Stephen King, Million Dollar Outlines by David Wolverton, and Save the Cat by Blake Snyder

Of the writing books I’ve read, these three were the ones that spoke to me the most. On Writing is less about how to write than the writing life, but it should be a must read for everyone that wants to be a writer.

Million Dollar Outlinesand Save the Cat both focus on outlining to the “Hollywood Formula”. Between these two, I’m making the slow transition from discovery writer to outliner. Applying the structure to Falcon, one of my works in progress, during rewrite/ revision has made it a stronger story. I’m using the method to outline Nocebo Effect, an urban fantasy, and I’ll let you know how that process goes.

3. The Smithsonian Institute and the Library of Congress.

This is a resource I need to take better advantage of. I live a short distance outside Washington, DC. If I want to learn more about ancient Egyptian culture, I can take a trip to the museum. If I’m willing to put the time in, I could probably arrange to interview an Egyptologist.

2. My camera and photo albums.

I’m pretty visual and often have trouble making up features without a template to work from – see tool # 7 from Monday's post. One of the things I’ve done in the past is flip through my photos of people I know, and don’t know and assemble a new character from bits of many real ones. I’ve taken candid shots of strangers with interesting faces. By having this photo library, I’ve been able to add depth and detail to my characters.

1. My friends and family.

I couldn’t do half of what I do without the support of my family and friends. They’ve been sounding boards, alpha or beta readers, and my cheer leading team. Contrary to popular belief, not all of writing is a solitary exercise. To quote the Beatles, “I get by with a little help from my friends.”

So, that’s some of the items in my writer’s toolbox. What’s in yours?

What's in a name - part II - odd writer's block.

I've written about the importance of names on this blog before (-> here <-), but in working on my current WIP - New Bohemia - I noticed something else about names.

 Now, a bit about how I write to put this in context. I don't outline. My attempts to do so have failed. When I start a story, I usually know my main characters, their history, and their major story arc, and the ending. While I don't outline, I do a lot of pre-writing (a David Farland term, or at least one I learned from him). I spend a lot of time imagining a scene before it ever hits a page.  When I don't have a character's name or a detail I need to research I use "XY" as a placeholder. During the first round of edits, I search the document for "XY" and fill in the missing information. Using XY instead of a character name has never been a problem. Until now.

But in working on New Bohemia, I had to write a scene where a character (May) gets a phone call that changes the direction of the story, and places another obstacle between her and happily ever after. Now, I knew who was making the call, what her history was, how she was going to impact the rest of the story, the reconciliation needed between the two women, and what she had to say during this particular call. What I didn't have was her name.

The story languished for two weeks without more than a few words being written each time I sat down to work. I couldn't figure out why. It wasn't really writer's block. I knew what I needed to write, and most of the dialog. So why was this so tough?

Turns  out, I couldn't write because the character, who is a fairly major one, didn' t have a name. But I didn't realize that yet.

First, I chalked up the inability to progress on exhaustion. The day job was frantic and the kids were back in school adding another dimension of crazy to my life. Sleep had climbed up higher on the need list after all. Still, catching up on sleep and wrestling control of my docket didn't get me writing again.

Figuring I was missing knowledge I needed for the following scenes, I paused and researched avalanche rescues, and whether an entire town has ever been lost to an avalanche. Turns out there was a large avalanche, triggered by an earthquake, that flowed into a town. Thirty-four people died. It was a horrible, and unexpected disaster. Now, I had a real world basis for my catastrophe. Content, I sat back down at my keyboard.

And. . . still nothing.

Fine. Maybe, I'll flip through Sherrilyn Kenyon's Character Naming Sourcebook and  see if I could fill in some of those XYs while I pondered the full stop in my forward momentum. I knew my character was from Wales but had grown up in the household of Indian natives living in England. So, I flipped to page 381 of the book where Welsh names start. About twenty minutes later, Tegan Brice was born, or at least named.

Guess what? I finished that scene, the first one she appeared in, half an hour later. Having a name let me fill in other details that I hadn't considered yet.

So, what's in a name? Sometimes everything.