Why Neil Gaiman Made Me Cry (in the best possible way)

Earlier this month my son's school hosted "Movie Night." The best thing about Movie Night is my kids get to spend hours at school eating pizza, watching movies in their jammies and having pillow fights and from 6 until 9:30 pm my husband and I have the night off. This year we decided to go out to dinner. So how does Neil Gaiman figure into all of this, do you ask?

The restaurant doesn't take reservations. So when Matt left to drop the kids off at school and I went to get a table. While waiting for Matt to join me I was reading The Year's Best Dark Fantasy and Horror: 2013 edited by Paula Guran and The Man Who Forgot Ray Bradbury by, you guessed it, Neil Gaiman. The story's main character is forgetting things and words, and people. He decides it is his task to remember one thing so God doesn't have to and if he fails in his task the thing vanishes. Ray Bradbury is his task. He says:

And I fear that I am going mad, for I cannot just be growing old. If I have failed in this one task, oh God, then only let me do this thing, that you may give the stories back to the world.

We get dementia stories, on average one or two a month, over the transom at Flash Fiction. Generally, these are told from the perspective of the caregiver. The few stories that tackle the tale from the victim's standpoint are often a mess.

Why did this story make me cry those slow silent tears that creep down your face when the pain's too pure and true for sobbing? The ones you don't know have escaped until they drip onto the table?

Let's give praise where it's due. Neil Gaiman is a masterful storyteller. He manages to keep the necessary rambling when the character's mind drifts off point relevant and beautiful. But there was more to the why of being moved to tears.

Take it as a given that the story has lovely and heart breaking imagery. Take it for granted that you can hear Neil Gaiman's voice as you read the words. Take it for granted that the story didn't make the disease progression trite and treated the main character with dignity. Why did this this beautifully written story provoke such a visceral response from me?

Two reasons.

Neil Gaiman is good friends with Sir Terry Pratchett. Neil Gaiman was late to the 2013 World Fantasy Convention signing he's pictured in above because he had been out to dinner with Terry Pratchett. In 2006, Terry Pratchett announced that he had been diagnosed with Alzheimer's Disease. The literary community, heck, the world, reeled.  After all. if Terry Pratchett, who used his mind to create amazing worlds, could fall victim to Alzheimer's no one was safe. Because I know that the two men are close I felt like this one had been more than just a story to Neil Gaiman, that The Man Who Forgot was as much about losing Ray Bradbury in 2012 as it was about Terry Pratchett. Whether or not it was is irrelevant. I added an emotional layer to the story because of my supposition about the writer's motives. I'd also just seen Terry Pratchett and attended his interview at World Fantasy. I watched him struggle to find the words. And it broke my heart. And then I added another emotional layer to my reading experience.

My father suffers from Lewy Body Dementia. He was diagnosed in 2011 after my mother and I took him to a movement specialist. Unfortunately, my folks live in Florida so I can help out with his care as much as I would like. Still, in reading The Man Who Forgot I could see my father in the main character. Could see his struggles in the character's attempt to remember a word by coming at it sideways - thinking of book titles that contain the word to see if it will drop into place. Unfortunately, my Dad's dementia is progressing quickly.

The best stories, and this is one of them, touch our soul. We take more from them than the bare words. They give us a chance to address problems in our own lives through the thin veneer of fiction.

And that's why Neil Gaiman made me cry. And why I'm thankful to him for it.

Santa Author

by Sam Cheever

Some authors like to give stuff away and some don’t. I personally know one author who refuses to give away copies of her books and just gives bookmarks and trading cards away at conferences. No bling for her. She’s not alone.

Promotional items cost money, giving away books takes sales out of an author’s pocket. But what about the old business adage, you have to spend money to make it? Does it apply to creative businesses as much as traditional ones?

I think it does.

Nobody can chart a direct affect from a promotional item to a book sale. It isn’t possible to identify a monetary result, because it’s not a direct transaction. It really isn’t even monetary. It’s emotional.

People love getting free stuff. They especially love getting clever and useful free stuff. And when they get something they really like they generally remember the person who gave it to them. That’s why I love fun promotional items.

When I start researching a new item to take to conferences or give out to new fans in their goodie boxes, my first goal is to find something nobody else has thought of. I rarely give out bookmarks anymore. I have boxes and boxes of them in my closet as proof!

When I give away a print book I include a Romance Trading Card because those are collectors’ items and they’re more fun. I load heart-shaped memory sticks with free reads, book trailers, and first chapters and give those away. They’re useful, they bear my website and tagline on their shiny red surface, and they contain lots of fun reading and viewing that will hopefully inspire someone to buy one of my books. It’s a win-win!

For my Declan Sands books (MM romance) I found a tiny tool kit with four screwdrivers and a tape measure. Again, useful, and bearing my website and tagline in case someone decides he/she needs a great book to read while repairing their computer with the toolset. I have knit caps with my website on them, book lights with twisty stems, mouse pad planners that double as notepads, and lots of other fun stuff.

Call me Author Santa.

Yeah, the stuff costs and I have no way of knowing if I’ll recoup my investment in book sales. But when people receive a goodie box or promo item from me they remember it and hopefully they’ll remember me. In fact, people often come up to me at conferences and exclaim, “Oh, you’re the one with the great promo stuff!” I just grin and offer them something else from my red velvet bag. ‘Cause I’m selling fun and smiles…hopefully I’ll even sell some books!

Happy Reading Everybody!

Bitten by Paranormal Romance gives Cupid a 4 – A Pack Howl!

"This is a delightful and sexy story of competition not only in the office, but between a cupid and a demon." Long and Short Reviews: "Cupid Only Rings Twice was a very cute story that was short but entertaining.”

This Valentine’s Day, Rori’s gonna meet an honest to god Cupid. And he’ll use more than arrows to win her love.

Rori Foster is too beautiful to find love. Men just can’t seem to look past her exterior to recognize the human being inside. Unfortunately he’ll have to save her from the bad intentions of a cocky Love Demon first. But Damios is determined to protect her. Even if he loses her in the process.

To read more or purchase Cupid Only Rings Twice please click the vendor's name. Musa Publishing | Nook | Kobo | Sony | ARe | Kindle | Amazon.uk | Amazon.ca

Sam Cheever writes mainstream romantic suspense and fantasy, all heat levels; and Declan Sands for M/M romantic suspense and fantasy. Her books are fast paced and fun loving. Not one of them will solve a single world problem, but you definitely won’t be bored while reading them! Sam’s published work includes 40+ works of young adult, romantic suspense, and fantasy/paranormal. Her books have won the Dream Realm Award for fantasy, been nominated and/or won several CAPAs, were nominated for Best of 2010 with LRC and The Romance Reviews, and won eCataromance’s Reviewer’s Choice award.

She is published with Ellora’s Cave, both Romantica and Blush; Changeling Press; Electric Prose Publications (her own imprint), Musa Publishing, and Red Rose Publishing. She lives on a hobby farm in Indiana with 11 dogs, 2 horses, and one husband.

Learn more about Sam Cheever on her blog Eclectic Insights. Stay connected on Facebook and Twitter. You can also find Sam on Goodreads.

Happy Thanksgiving 2013

At a recent conference the keynote speaker said that 14 was the number of deliverance so that 2014 would be the year of deliverance. All I can say is: Amen to that. During an audience participation segment the speaker asked us (a group of about 40 women and 1 man) what did "success" mean for us. One woman stated that for her it meant being grateful. She had a point. No one gets anywhere in life by his or herself.  Thanksgiving is one of the times we reflect on our blessings. And it's time to consider mine.

I am thankful for my ever supportive and the opportunity to return the favor as he works on a large appeal due on December 16. My boys are both a source of joy and frustration. I am not thrilled about the questions about sex that are starting to appear on a somewhat regular basis. But heck, they are that age and I'm grateful that they feel comfortable coming to me to ask those questions. I'm  a romance writer, right? I should be able to field those questions. Right?

Despite serious health issues my father is still with us. I am humbled by the many many sacrifices my parents made for my siblings and I and for the person they helped me become. While it wasn't my Mom's idea, or even desire, I am glad that they sold their house near Tampa, FL to move into their house in Orlando, FL where my brother lives so he could help with my Dad's care while I was hundreds of miles away. I am eternally grateful to my brother for what he does for our parents, and his long-term employment with Disney so we can get into the park for a lot less than we would otherwise. I am sure my sons echo that last point.

I am thankful for the invitation to become a staff member for Superstars Writing Seminar. I've written about this before so I won't belabor the point but I am eternally grateful to the friends and fellow Tribe members I've met over the years at Superstars. Being part of the Superstars Tribe and the Flash Fiction Online family has done wonders for my confidence in myself as a writer and person.

When I left a second firm in less than 9 months in February, my clients came with me. I can't thank them enough for that leap of faith or their patience with me as I figured out going it on my own. One individual spent several hours tracking me down through three firms and my Linked In profile because I'd worked for one of his company's vendors more than a decade ago, and when they had a problem of a similar nature I was the one they wanted to handle it. I helped several clients get the benefits they were due and that, in turn, made their lives a little better, a little brighter. There are very few things better in life than knowing you were able to help someone who needed it. I thank my clients for giving me the opportunity to serve them.

I am humbled by all of you who spend a little bit of your week with me on this blog.

So, while 2013 has been full of challenges there was a lot of good too. I hope life is kind to you and your family and your life is full of things to be thankful for.

Fool Me Once...

Shame on you. Fool me twice, shame on me.

This bit of conventional wisdom is particularly applicable in the law. If you need to sue someone for fraud you have to prove - in lawyer speak (and real person speak) - that the person made a misrepresentation of a material fact (he lied to you), when he made the misrepresentation he intended for you to rely on it (he wanted you to believe the lie and do something), you reasonably relied on the misrepresentation (a reasonable person would have believed him, and he tricked you), and you were damaged (you did what he wanted and, usually, lost money).

I've litigated and settled several fraud claims over the course of my career and I'm likely to deal with many more before I retire in the distant future. Resolving fraud claims poses a special problem. If you sue someone for fraud once, you are unlikely to "reasonably rely" on any lie in the future. It's that whole "fool me twice" issue.

In one settlement, the defendant (read as "the alleged bad guy") wanted my client to give up its claims against him before she paid the settlement amount in full. When I wouldn't concede the point with my opposing counsel, the defendant (you know how to read this now) called my client to plead her case. Among other things, she said that if my client released the fraud claim my client could trust the defendant to pay everything she owed.  Fortunately, my client is a big believer in "fool me twice." My client's response was that it was my client's word to release the claim after being paid that they would be trusting.

It's unlikely that a court will help the second time someone defrauds. Why? Because we sued the defendant for fraud. If the person had fooled me once, I should not trust that person anymore. My reliance on his word is no longer "reasonable." While there are some limited exceptions to this they are usually limited to cases where there is a physical or mental disability or where the relationship between the people are so close the continued reliance is acceptable. Fooled me twice is my fault.

Yet, human nature is such that most of us want to trust. Most of us want to believe that the first time was just a horrible misunderstanding. We give scammers our money. Sometimes we let them "sell" us the same bill of goods more than once - i.e. now that you bought our critique of your novel, we think you need some editing services, let us recommend. . . (another one of their fraudulent companies). There's so much noise out there it's hard to tell the truth from a flim flam.

Most of the time we get fooled twice. If we didn't the cliché wouldn't exist. Maybe the best we can do is be a bit more like Malcolm Reynolds (care of Firefly and Serenity). When Mal has to work with someone who's double crossed him before he goes into the deal knowing that he's likely to be bit again. 
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Still, fooled me twice isn't a fun place to be. My client had the right of it in the one settlement negotiation. If someone's fooled you once, don't trust them again because . . .well, you know.

Fun with Children and Electronics

 

Okay, I'm not advocating that we combine children and electronics. It seems to me that a child cyborg is the way to Armageddon, but that's another blog post. No, I'm talking about ways that technology  and its limitations can make for a hysterical car ride.

I work about 60 miles from my house. The distant isn't too terrible until you factor in two things. Some days I have "kid duty" meaning I need to pickup or drop off my sons that their schools. Then there's the "usual" D.C. Metro Area traffic.

Rush hour in DC is anything buy usual. At my first job as a lawyer, my boss use to complain that he never knew when I would be there was an hour swing in my start time. Now, I left the house within a fifteen minute window every day, and back then I had to drop both boys off at daycare on the way to the office. If it rained, if the sun shone, if there was an accident, if there were three accidents, f it was Friday or Monday, my travel time varied widely. And don't even talk to me about what happens around here when it snows. One day I called in saying couldn't get to the office because after two hours of commuting I still had at least two more hours to go. If I add a kid pickup or drop off into the mix my commute goes up at least an hour and a half one way.

Now, lots of people have worse commutes. I'm not seeking sympathy. Well, not a lot. But what an hour and a half to two hours of commuting each way with children in the car means is a lot of time with bored children.

We plan for long commutes. The boys are encouraged to bring their electronic game systems with

them because talking about our days only takes up about 15 minutes of the ride. The other day my husband and I divided and conquered to take advantage of the HOV lanes. Mikey and I headed into an hour and a half commute.  On this particular trip, Mikey's game system ran out of power. Ah, the joy of ADD kids who forget to charge electronics. But there's also a backup plan for this. My smart phone has many many game apps. Rather than play one of those, Mikey decided to play with the voice search function. You know, the function when you say "I am hungry" into the phone and it pops up a web search of nearby restaurants. Hilarity can ensue when the voice recognition algorithm misunderstands what you've asked.

Mike wanted to know how many turtles there were in the world. After much rephrasing of the question we learned that the population of pet turtles in the United States was 1,991 million. Singing "la la la la lala la" confused the search request. At one point it appeared that we'd so "frustrated" the search function that it gave up. The last 45 minutes of the drive flew by.

We arrived home with tears in our eyes from laughing so hard, and more than a few story ideas in my head from search requests that went horribly and hysterically wrong. I'm almost looking forward to today's commute.

One Day I Will Wake Up and It Will All Fit Together (after I use a jigsaw to recut the peices).

Royal Pavilion In Brighton

We all dream of that magic moment when life suddenly comes together and we get the thing we've always needed - even if we didn't know that was what we wanted. The overnight success story is part of the American Dream. Pay no attention to the man behind the curtain, though. If you pull the curtain back, you'll find out the "overnight success" was years and lots of hard work in the making. I'm not a big believe on waiting for things to happen. In fact, I hate waiting. I'd rather be doing something. As James A. Owen says in his book Drawing out the Dragons there are two kinds of people: those who things  happen to, and those who make things happen. If given a choice (and we're given a choice every day of our life), I'll make things happen. So, that's one of the many reasons I attend the World Fantasy Convention.

I knew this year's WFC would be a challenge since it was going to be in another country (England) and very few people I knew were going to be attending. Do you know what I found out?

I was worried about nothing.

Turns out I knew lots of people. People I'd met over the past few years at WFC and maintained loose contact with since. I recognized even more faces than that. One of the great things about WFC is you can go up to anyone, yes, anyone, and start a conversation. A lot of those conversations start with "Were you at" or "Didn't I meet you at WFC in _______?"

Going so far outside of my comfort zone allowed forced me to make things happen.

I saw landmarks that I'd only read about. I walked the streets of Mayfair. We saw a musical. Did you know that if you buy a video game in London it won't work on a game system bought in the United States? We found that out. A very helpful sales clerk at Hamley's allowed us to return the game despite (or maybe because of) our stupidity. I spent the day rambling around London after the boys got on the train to Heathrow, and explored Brighton. A friend, Matt, became acquainted with an antique bunny in the hotel bar (no bunnies or people were harmed in the making of this picture).

Did you know the beach at Brighton is comprised of large pebbles and not sand? Or that when the surf hits the coast it hits so hard that the spray shoots up more than five feet? Or that people surf off the Brighton coast? I didn't until I went.

When your small group of friends is otherwise occupied, and you don't want to sit alone or go up to the room and call it a day, you talk to people you don't know. You have no choice. Even if you manage to find a place to sit by yourself it isn't long before someone you know walks by or someone asks to sit with you. I met a lovely couple who live less than ten miles from my office by way of a mutual friend who lives on the other side of the United States. I talked with publishers, agents, editors, and to writers at all points in their writing careers, from superstars to people just starting out. I talked to fans and readers and  book dealers. I talked to so many people for so long that I lost my voice. And, of course, the collective group ran the hotel bar out of all its beer and mixers by Sunday night.

Okay, so swinging back to the topic - all the pieces in your life magically fitting together.

I believe that people come into our lives for particular reasons. Each person we meet, each interaction, is another piece of the puzzle that makes us who we are and life worth living. When you take a new piece out of the box, you often don't know where it goes or  how it fits with the other pieces. Heck, sometimes you can't tell if the piece represents a cloud, foam from the ocean's surf, the molding around a building or a cow. It takes work for the pieces to fall into place. Sometimes it even takes the handy application of a jigsaw to recut a piece.

If you don't go out and acquire the pieces, you'll never complete the puzzle. If you don't try to put the pieces together, you won't wake up one day and have it all fit together.

So, when one day I wake up and it all fits together that moment of serendipity will be because I spent the time to make the connections (gather the puzzle pieces) at places like WFC.

Conventions as Marketing Tools.

I’m in Brighton, England for this year’s World Fantasy Convention (October 31 - November 2. Like many of my friends my successes in writing can be traced back to my decision to attend a conference. But that's only a part of the story. Showing up is the easiest part. Whether you go to a convention to enjoy as a fan or to further your career be an active participant.

Making a convention a professional marketing tool is hard work. We attend writers’ conferences or seminars, to market our writing, and to meet other writers, agents, publishers and editors. For ease of reference, I’ll refer to agents, publishers and editors collectively as “agents.” You cannot sit in the seminars and only interact with the group of people you came if you are marketing.  Every day of a convention is an interview. Every moment of every day is an opportunity for you to help or hurt your career. So how do you ramp up your marketing potential at a Con?

Before: Do your homework.

One of the things I love about World Fantasy is it posts a list of attendees or "members" so I can see if my dream editor or agent is going to attend. This year WFC also has a separate list of attending publishers so if you don't know that Jane Doe is with XY Literary you can see that XY Literary is attending and investigate further. Conventions are often crowded. Decide in advance who you'd like to make a connection with, why, and how.

A few years ago, I wanted to talk to Peter Beagle because I love his stories. How was I going to meet to him? He was a WFC guest of honor, and was scheduled for a reading, an interview session, and to attend the banquet. So, I knew where and when I could find him. But I also asked my friends if anyone knew him. One of my friends did and she introduced me. Ask your friends and colleagues if they know the person you want to meet. Chances are that one of them does. A personal introduction will usually take you a lot further than cold calling on someone. If the person you want to speak with is not giving a lecture or otherwise booked to be in a specific place be prepared to check the Con Bar - regularly.

If you are planning to pitch a story make sure it's finished. "Finished" does not mean the first draft is complete. It means you have done everything you can to make the story as compelling and as free from typos as you can. Prepare your pitches. Ace Jordyn attended last year's WFC with a list of the people she wanted to meet, and pitches prepared for each work and each person. Amazing, really.

During:  Be professional and bold.

I've written about this before so I'm not going to delve too deeply here. Appearances matter. If you want to be taken as a professional, dress as one. Does that mean you have to wear a suit? No - unless that's your brand. Look at just about any New York Times best-selling author's website and you'll see what I mean. Lisa Scottoline, a retired lawyer and writer of legal thrillers, wears suits. She wore one when she was instructing at the Seak, Legal Fiction for Lawyers convention where I met her. Because of who she is and what she writes the suit is part of her brand. Neil Gaiman and Brandon Sanderson don't wear suits.  In fact, I would guess that the bulk of professional writers don't wear suits. Still, they all look professional. You should too.

Act professional. Don't interrupt; don't be rude. Enough said about that.

Go boldly.  Go to the places the people you are looking for are likely to be. Talk to them when you find them. If you can't find them, ask other people if they might know where Jane Doe is. You must approach strangers at a convention. You must ask friends to introduce you to people you don’t know, but want to. At least one agent has said that she only signs people she’s met at a convention, and the agent doesn’t wear a name tag. She, like every other agent, wants to see you’ve done your research and that you’re passionate about your work. After all, if you’re not excited about and willing to sell your work, why should she be? Sitting in a corner watching the con go by will not result in publication.

Strike while the iron is hot. If you are engaged in a genuine conversation and someone asks what you are working on. Tell them. Don't ignore fellow writers. They might just be the key to later opportunities. And, frankly, most of them are fascinating to talk to.

After: Follow-up.

Oh lucky day! You spent three hours talking to your dream editor at the Con Bar. So, now what? Follow-up with that person just like you would do at any other networking event. Send her an e-mail saying you enjoyed meeting her at the Con. Make the e-mail specific so that if you drinking a purple girly drink remind the editor so she, who met hundreds of people at the Con, has the opportunity to place you. If you were asked to submit to the editor do so now. It not, just thank her for her time. At minimum, follow the editor's twitter feed or friend her on Facebook. Comment honestly on posts. If she posts something you find interesting you should comment on it. If not, you shouldn't. You are trying to forge and maintain a genuine connection.

Don't forget your friends. Remember all those people who helped you research and introduced you around? Thank them as well.

Conventions are one of our most powerful marketing tools if used correctly. Meeting someone at a convention may make the difference between a polite “no, thank you” and a sale. Treat every convention like an extended job interview because that’s what it is. Your primary goal is to form honest and lasting connections with the people you meet. Succeeding at that goal leads to success.

Anyway, I'm off to finish my homework before the official start of the conference. Wish me luck.