Bell Pepper Relish from Wench Vonnie Hughes

from Vonnie Hughes
Australia is a large continent so that even though it's technically winter, in the northern areas it's still hot and produces great vegetables. Right now we have a glut of bell peppers (we call them capsicums) - green ones, yellow ones (my favorite, they're sweet), orange ones and red ones. So here's a dead simple recipe for Bell Pepper Relish. Only makes 2½ cups, but you can double it. I made it yesterday and gave some away. It's a roaring success.

Bell Pepper Relish

1 large green bell pepper, chopped
1 large red bell pepper, chopped
1 large onion, chopped
1 cup chopped tomato
1 cup white wine vinegar
¾ cup sugar
½ tsp. salt
½ tsp. black pepper
½ tsp. curry powder
½ tsp. allspice
1 tsp. garlic flakes

Combine all ingredients in a large, heavy saucepan. Boil at medium-high until the mixture thickens slightly, stirring occasionally - should take about 35 minutes.

Cool, cover and refrigerate. Keep refrigerated. Enjoy!

How about a step back in time with one of my Regency novels? I hope you enjoy this short intro.

When Alexandra Tallis sets free the attractive man her sister stupidly tried to hold captive, her actions lead not only to a love she never thought to find, but also to a horrific family secret that threatens that love.

When Alexandra Tallis discovers that her witless sister has imprisoned their father’s nemesis, Theo Crombie in their attic, she quickly frees him, fighting an unladylike impulse to keep him as her own special captive. Despite the brutal beating she receives from her father for her actions, Alexandra continues to yearn for the delicious Mr. Crombie even though she knows that nothing will ever come of her dreams.

Injured and shackled in a stranger’s attic, Theo unexpectedly discovers the woman of his dreams. But how can he pursue those dreams when her bizarre family’s complex relationships threaten the very foundation of his existence? Somehow Theo must find a way through this maze to claim his lady.

To read an excerpt from Captive, please click HERE.

Vonnie Hughes is a New Zealander living in Australia. She loves animals and jogging. Vonnie writes Regencies and romantic suspense novels along with short stories. She is presently working on a romantic suspense, working title: Innocent Hostage and a Regency novella, working title: A Tale of Two Sisters.

Her earlier book Coming Home is about a soldier and a nurse, thrown together during the Napoleonic wars, who find more danger on their return to England than they ever did on the Iberian Peninsula.

The Second Son is a prequel to Coming Home. A second son, filled with angst, stands to inherit a title and property through the death of a brother he has always loathed and mistrusted. A young disabled woman teaches him how to find his self-respect and how to love.

Another Regency Historical, Mr. Monfort’s Marriage, has businessman Matthew Monfort inveigled into marrying an earl’s daughter. With good reason he loathes the ton, so his new wife needn’t think she’s going to win him over, even though she’s quite delightful…and intelligent…and sweet…However Verity shows him that not all members of the ton are idle layabouts and that he can do much good with his largesse and with—shock, horror—the unexpected and embarrassing title conferred on him by Prinny.

All of Vonnie’s books are available on Amazon and Musa Publishing. Learn more about Vonnie Hughes on her website and blog. Stay connected on Facebook and Goodreads.

Avoiding 5 Writing "Mistakes"

I recently finished editing New Bohemia: Just One Night and am waiting to get it back from the first beta reader. Waiting for those comments is always nerve wracking. Instead of obsessing, I thought I'd share some editing tips I've learned from my "mistakes" along the way. The list below contains some of the things I check my work for before I end the first stage of editing.

1. Don't have disembodied body parts.

I owe my education on this one to Celina Summers, Head Muse at Musa Publishing. It was something that I'd never considered before she pointed it out. Now I can't ignore when it happens. I tend to make this "mistake" when I'm trying to vary sentence structure and not constantly start the sentences with a pronoun or proper noun.

What do I mean by disembodied body parts? When there's no person attribution and the writer uses only the unattributed body part to function as the sentence's subject. 

So, the sentence, "Fingernails scraped across the chalkboard" falls into this category. Really, the nails did it by themselves? They weren't attached to fingers and those fingers weren't attached to a hand? Unless, you're reading a zombie novel and the parts really can act without being attached to someone, it's probably better to write "Her fingernails scraped across the chalkboard." 

2. Watch out for unintentional distancing in the narrative.

My first editor at Musa, Jennifer Ayers, pointed this out to me. It was one of those face-meet-palm moments because it's brilliantly simple once you know what you're looking for.

One of the main benefits of a third person point of view (POV) is it creates a connection between the reader and the character. When we create distance between the reader and the character we run the risk of losing the reader's interest and having her put the book down. Unintentional distancing is a type of POV violation or redundancy.

You create distance with a sentence like: "Bob felt the coarse texture of the rough spun wool under his fingers."

Why? Because we're already in Bob's POV. So telling me that "Bob felt" takes me a step back. A "better" sentence might be "The coarse texture of the rough spun wool abraded his fingers." Why do I think that's better? The precatory language "Bob felt" is gone. Also, the second sentence is more interesting because it tells me more about Bob and the feel of the material.

3. Avoid talking heads.

There are days I wonder if I should have been a screenwriter. My first draft of a scene is generally mostly dialog. I don't fill in the character movements or blocking fleshed out. While "talking heads" scenes are fine in a first draft, there needs to be more detail before the first beta reader gets a look. Long stretches of dialog needs to be interrupted by action, even if that action is as simple as standing up,.

4. When you limit weak verbs, characters rarely just "stand up" or "walk."

Speaking of standing up, motion gives you a chance to show character. Whether a character eases down into a seat, perches on the edge or extends his left leg out straight ad stiff when he sits tells a lot about who he is or his emotional state.  There's a difference between a character who "danced" across the street, and another who "lumbered" across it. The words "dance" and "lumber" evoke different mental images. Did you see a female moving for "danced" and a male for "lumbered"? I did.

Verb choices matter.

5. Remember the setting.

I just finished reading 20 storied for Flash Fiction Online's slush pile. At a guess one quarter of those stories suffered from the White Room Syndrome. It is almost never appropriate to ignore the setting. It is almost never appropriate to set a scene in a white painted room with white furniture. Yawn. I've seen a character waking up in a fully white room work once in a story. Once. And that character woke up in a hospital cell in a futuristic Center for Disease Control Center.

Also, keep in mind that POV matters when describing setting. An interior designer will notice more and different details than a 5 year old when looking at the same room. But both will notice and mentally, at least, comment on the space.

I hope this was helpful, or at least interesting. Now I'll go back to waiting. Sigh.

Holley Trent's Low-Fuss Summer Salad

from Holley Trent

Happy summer, everyone! This easy cold salad is great for potlucks and outdoor parties, and travels well. Combine everything except the dressing the night before to save time the day of your event.

Holley’s Low-fuss Summer Salad

2 cup pearled barley, cooked tender but not mushy
2 small tomatoes, diced
1 large cucumber, diced
2 green onions—whites and greens—sliced thin
¼ cup lemon juice
¼ cup olive oil
1/8 tsp. cumin
Salt and pepper to taste
2 tbsp. water

Drain cooked barley and allow to cool.

Toss barley with tomatoes, cucumbers, and green onions. If serving the next day, cover and refrigerate.

Half an hour before serving, mix lemon juice, olive oil, salt, pepper, and cumin with water in a small jar with lid. Shake well. Pour over salad and mix gently.

Serve salad at room temperature.
Easily serves 8.

*Mix extra dressing if you like a less dry salad.
**Salad can be easily doubled or tripled.

Here's a brief intro of my latest release for your reading pleasure.

The psychic didn't go looking for love, but she should have seen it coming.

Marcia Andrews is a freelance psychic consultant. Sick of living hand to mouth, she accepts a contract with Raleigh Police. A new gang called The Cardinals is terrorizing The Triangle, and Marcia gives the department an edge in tracking them.

Help that she is, one cop isn’t so keen on her involvement, and makes sure she knows it. Detective Nat McCoy would rather see Marcia in his bedroom than the bullpen. The gorgeous Scotsman isn’t the typical chauvinist pig, though. He’s keeping a secret that even the psychic doesn’t anticipate.

A close encounter with a Cardinal’s bullet knocks Marcia off her game when the police need her most. She loses hours to trances and ghosts haunt her sleep. She can hardly function, and everything she thought she knew about playboy McCoy suddenly seems questionable.

McCoy thinks he knows the cure for what ails her—him. But can she trust him?

Love by Premonition is available for purchase now at the Musa store and also at third-party vendors such as Amazon.com and All Romance eBooks.

If you’d like to stay up to date on my progress with its spin-off, visit me on my blog or follow me on Twitter. Holley Trent is the author of Executive Decision, Mrs. Roth’s Merry Christmas, and Her Resident Jester – all available now from Musa Publishing's Calliope Romance Line. To see all of Holley Trent's Musa Publishing books, please click HERE.

Summer Book Report

The summer of “can’t put down” books

        Back to school is around the corner and I’m helping my two boys, who waited until the last minute (again) to complete their book reports. I decided to lead by example. I’ve already confessed to being a not-so-closeted romance reader and writer. You also know that my favorite time for reading romance novels is at the beach, and we’ve just returned from our family vacation to the Outer Banks in North Carolina. So, I thought I’d share 10 books from my summer reading list. It’s also a bit more eclectic than normal since I’m researching my next novel, Schrodinger Effect, which features Vonna from Paths Less Traveled. In no particular order:

1.         Neil Gaiman – The Ocean at the End of the Lane - Fantasy.

Neil Gaiman started out writing a short story, but ended up with this lovely little novella. A suicide releases a supernatural creature into our world. In trying to send the creature back, Lettie Hempstock unwittingly allows it to lodge inside a 7 year old boy. Years later, that boy returns home for a funeral and discovers he’s forgotten about that summer day and the magic at the end of the lane.

This is a great little story. I fell into the narrator’s voice, spellbound. I finished it in one sitting, pausing only grudgingly to get a plate of food before the teenagers at the beach ate it all. The only criticism I have of it is the price-point. At $15.00 it’s expensive for a novella, and at $9.99 it’s a really expensive e-book. Now, I bought my advanced copy through Barnes and Noble because it was a signed copy. Still, I think the price is well worth it.   

2.         Kevin J. Anderson – Veiled Alliances – Fantasy.

In my opinion, Kevin is one of the greatest world-builders writing today. Veiled Alliances is a prequel to his Saga of the Seven Suns series. One hundred and fifty years after the Earth sent out its generation ships, Earth’s government has given way to a puppet king controlled by the Hanseatic League. The generation ships are found and given safe harbors by an alien race. With the gift of FTL (Faster Than Light) engines, Earth is poise on the brink of becoming a major player in the universe.  

I “read” this one on audio book. The 4 plus hour recording got me most of the way to the beach. Unlike some prequels this one wasn’t forced or awkward. A large part of that is likely due to Kevin’s detailed outlining. Before Kevin had written the first word for the series, he would have already known the events set forth in this prequel. Whether you’ve read the other books in the series, or Veiled Alliances is your first journey to the Seven Suns, it’s definitely worth reading. 

3.         Jeaniene Frost -  Halfway to the Grave. – Urban Fantasy with Romance.

Cat, the kick-butt heroine, is half-vampire. She hunts the undead in an effort to find and slay her father for destroying her mother’s life.  Then she's captured by Bones, a vampire and vampire bounty hunter, and is forced into an unholy partnership. Cat agrees to help Bones cull the undead population in return for his help finding and exterminating her father. Life and unlife is never that simple though, and Cat finds Bones more tempting than any man with a heartbeat.

I also finished this one in a day.  The tone and take no prisoners heroine reminded me a lot of Gini Koch’s Alien Series. One of my friend loaned me this book at the beach when I’d run out of other stories. It was the first time I’d read anything by Ms. Frost. I’m definitely looking up the rest of the series.

4.         Sloane Taylor – French Tart (Naughty Ladies of Nice) – Erotic Romance.

Donatienne Dubois pins her hope for a “normal” life on an exclusive cooking school in Nice, France. But one by one her expectations are shattered. Donni’s lifesaver is a bad boy too hot not to handle. For his part, Mark Anderson, is incognito, hating every moment. To pose as a student while keeping tabs on a rich wild child is his version of hell, until he partners with the dish of Crème Brulée good enough to eat.

I love Sloane’s writing, ability to transport a reader to the exotic locations she sets her stories and her characters. French Tart, a novella, lived up to all my expectations for Sloane’s work. I especially loved the foul-mouthed parrot who develops a crush on Donni.  

5.         John E. Douglas and Mark Olshaker – The Cases that Haunt Us – Nonfiction.

Certain homicide cases maintain an undeniable, almost mystical hold on the public imagination. This analysis of seven of the most notorious murder cases in the history of crime -- from the Whitechapel murders to JonBenet Ramsey -- often contradicts conventional wisdom and legal decisions. Using modern profiling techniques, the book reexamines cases we all know, and sometimes reaches fascinating and haunting results.

This is one of the many resource books I’m using for Schrodinger Effect. The writers take you through the criminal investigative process for each of the cases, noting how preconceptions or just investigative mismanagement affected the ultimate outcomes. A great resource and well-handled and sensitive narrative given the topics.

6.         Brenda Novak - Whiskey Creek series – Romance

Brenda Novak’s romances are great examples of the genre. One of the things I like about this series is that the first book, When Lightning Strikes, introduces us to a group of high school friends approximately 10 years after graduation, and each book in the series (so far) has focused on one character’s happily ever after.  The world Brenda Novak builds has a high degree of continuity and characters from the other books continue to interact as they really would have in any small community. 

 7.         Lee Child – Jack Reacher series, Books 1-5  – Thrillers. Jack Reacher is a retired Military Police officer with a monster case of wanderlust. His travels seem to leave him in the right places at the right time to become enmeshed in kidnapping, murder and mayhem. Given his military  background and specialized MP training, Reacher’s highly competent in many areas, and more than holds his own against FBI and Secret Service experts. I’ve listened to these books on audiotape. Dick Hill is a fabulous narrator.

 8.         David Farland – Drawing on the Power of Resonance in Writing – Nonfiction.

 A must read for every writer. Dave has long spoken about by drawing power from stories that came before; resonating with their readers' experiences, and by resonating within their own works. Frankly, Dave could sell this book for LOTS more and it would still be worth every penny. He teaches you exactly what resonance is and how to use it to make your stories more powerful with examples of how it is used in literature and other art forms, and how one writer, J. R. R. Tolkien, mastered it in his work.

 9.         John Scalzi, Editor - METAtropolis – anthology – Post-apocalyptic fantasy

 Audible was running one of its book specials, and out of the audiobooks I could get for $4.95 was this anthology. I have to admit I picked this one because it had one of the longer run times (I drive about 3 hours a day), and the high quality writers who contributed to the work.

METAtropolis is a shared-world anthology, where all the stories take place in the same created urban fantasy world, but it’s more than that. A typical anthology has a common theme – ex. Humorous horror stories – and the writers have little direction beyond that. A braided anthology has a through line and character. This is another step up in continuity. The five writers collaborated on the world. They all had the same blue print when they set their characters free and let them interact with this world.

10.       Harlan Cobin – Six Years – Thriller/ Suspense

Grammar Girl, Mignon Fogarty, recommended Six Years on her podcast. I met Mignon several years ago at Superstars Writing Seminar, and have often liked the books she’s recommended. She didn’t let me down. Again, this was an audiobook for me.

Six years have passed since Jake Fisher watched Natalie, the love of his life, marry another man. Six years of hiding a broken heart by throwing himself into his career as a college professor. Six years of keeping his promise to leave Natalie alone, and six years of tortured dreams of her life with her new husband, Todd. Then Jake comes across Todd’s obituary. At the funeral, Jake gets the glimpse of Todd’s wife…but she’s not Natalie. As Jake searches for the truth, his picture-perfect memories of Natalie begin to unravel. His search for the woman who broke his heart, who lied to him, soon puts his life at risk as it dawns on him that the man he has become may be based on a carefully constructed fiction.

This is another “can’t put down story.” It’s not a romance since the love story plays second fiddle to the mystery Jake’s trying to unravel. Cobin handles both the romance and the mystery with a deft touch. The characters are believable and I was rooting for Jake to solve the mystery, find the girl and live happily ever after. But you’ll have to read it to find out if he did.

Now it's time to get out to the pool with a book and enjoy the last few days of summer.

Cooking with the Wenches - Sam Cheever's Chicken with Tomatoes and Basil

A cool recipe and a hot read! Sam Cheever is here to provide both.

I use thin sliced chicken breast for this recipe, but you can also butterfly and pound whole chicken breasts to ¼ inch thick.

Chicken with Tomatoes and Basil

5 medium plum tomatoes, diced and seeded ¼ cup packed,
fresh basil leaves, thinly sliced
5 tbsp. extra-virgin olive oil
2½ tbsp. balsamic vinegar
1 medium garlic clove, finely chopped
Salt and pepper to taste
4 boneless, skinless chicken breast halves sliced or pounded thin (approximately 2 lbs.)

Combine tomatoes, basil, half the oil, vinegar, and garlic in a bowl, season with salt and pepper to taste.

Season the chicken with salt and pepper and brown 3 minutes, or until golden and nearly cooked through, in half the remaining oil.

Flip and cook another 2 minutes on the other side. (Cook half at a time and keep the rest warm in a 200°F oven.)

Serve with sweet potatoes mashed with milk and Parmesan cheese.

Arrange the chicken on a plate with a scoop of mashed sweet potatoes and spoon a generous amount of the tomato mixture and juice over the top.

Delicious and pretty!

Now for that hot read we promised you.

Here's an intro from my erotic romance Cupid Only Rings Twice.

This Valentine’s Day, Rori’s gonna meet an honest to god Cupid. And he’ll use more than arrows to win her love.

Rori Foster is too beautiful to find love. Men just can’t seem to look past her exterior to recognize the human being inside. But, this Valentine’s Day, Rori’s gonna meet an honest to god Cupid. And he’ll use more than arrows to win her love.,

Unfortunately he’ll have to save her from the bad intentions of a cocky Love Demon first.

But Damios is determined to protect her. Even if he loses her in the process.

MINI EXCERPT:

Damios lowered his head, capturing her exquisite lips in a kiss that was less a tender wish and more an urgent promise. Her mouth opened under his and he accepted her offer, slipping his tongue past her lips to savor her sweet taste. She moaned softly as his hands slipped around her waist, up her back, and pulled her tightly against his chest. Her body heated under his kiss and her incredible scent slipped over him.

Damios broke the kiss long enough to say, “I lied. I want to come inside.”

They both stilled for a moment, Damios realizing how his declaration had sounded and Rori’s lips twitching under a suppressed grin. He rested his forehead against hers, finding it hard to breathe.

“Sorry. That came out wrong.”

She chuckled huskily, skimming the tip of one velvet thumb across his bottom lip. “No. It came out just right.”

Damios bit her thumb softly and slipped his hands down her body, cupping the firm roundness of her buttocks. His lips found hers again and he groaned as she ground herself against him. Their kiss gained heat, their bodies thrumming under the imperative of a building need. Their tongues tangled, danced, and their hands skimmed, exploring with growing intensity...

To read more or purchase Cupid Only Rings Twice please click the vendor's name.

Musa Publishing | Nook | Kobo | Sony | ARe | Kindle | Amazon.uk | Amazon.ca

Sam Cheever writes mainstream romantic suspense and fantasy, all heat levels; and Declan Sands for M/M romantic suspense and fantasy. Her books are fast paced and fun loving. Not one of them will solve a single world problem, but you definitely won’t be bored while reading them! Sam’s published work includes 40+ works of young adult, romantic suspense, and fantasy/paranormal. Her books have won the Dream Realm Award for fantasy, been nominated and/or won several CAPAs, were nominated for Best of 2010 with LRC and The Romance Reviews, and won eCataromance’s Reviewer’s Choice award. She is published with Ellora’s Cave, both Romantica and Blush; Changeling Press; Electric Prose Publications (her own imprint), Musa Publishing, and Red Rose Publishing. She lives on a hobby farm in Indiana with 13 dogs, 2 horses, and one husband.

(HA! See, Husband, Sam has more dogs than I do.. That means we have to get more pets - Nancy)

Learn more about Sam Cheever on her blog Eclectic Insights. Stay connected on Facebook and Twitter. You can also find Sam on Goodreads.

Cookng wiith family

Mikey, my 12-year old son, wants to be a chef. We watch Master Chef together. He has his favorite contestant and I have mine. We'll see which want-to-be Master Chef wins. This weekend he asked to learn how to make a gravy. I'm Sicilian so the thing in the picture above isn't tomato sauce, it's gravy. Okay, now that we have that squared away, I can continue.

The recipe for gravy is a loosely guarded secret. I learned from my Mom, who learned from her Mom, and so on and so on. I say the secret is "loosely guarded" because there aren't any real measurements that go with it. It's a pinch of this, a palm full of that. You know. One of those good old fashioned recipes.

Mikey and I spent the early part of the afternoon chopping garlic, and putting together the gravy. The trick about a good gravy (that all those commercial companies forget) is that it has to simmer for hours to get the best blend of flavors. We did all the prep work, and then I had to leave to grocery shop.

We live on a horse farm. The closest grocery story is a 20 minute drive. Needless to say, a trip to the grocery story approaches an "event" and takes at least 2 hours. Since I was going to be gone during the simmer time, I told Mikey that he had to stir the gravy every 15 minutes (about once after each show ended), and to add water if the liquid level went down. To hedge my bet, I told my husband the same thing.

Imagine my surprise on my way hone when my husband called and asked if there was any premade sauce I would eat.

They had had several issues in my absence. They moved the sauce to a smaller burner on the stove so that it didn't boil quite so much. That was one issue well handled. The next one . .. not so much. Both of them failed to notice that the water had boiled off and what they had in the pot was really tomato paste and not gravy. Somehow when Matt went out to walk the dogs and feed the horses, the stove was turned up. When he came back the tomato paste was burnt. Hence the call to me.

Now, keep in mind that Matt has actually made gravy before. I taught him how when we were dating. When I asked him how he hadn't noticed that the gravy had turned to paste, he said (and I quote) "Have we met?" and blinked his baby blues at me.

Sigh.

The gravy couldn't be salvaged. We ordered pizza. Take 2 - next weekend.

Cultural Scars

A few weeks ago I was listening to the audiobook version of Lee Child's Tripwire. A lot of the story takes place in and around the World Trade Center in New York. It surprised me how hard it was to listen to events staged in a building that no longer existed. As a result, I became acutely aware of the scars we bear as a culture.

When we write we are told to make sure our characters are well-rounded, that they have a past, and plans for their future. The same thing's true for the world in which our characters live.  Each society has its triumphs, dirty secrets, and tragedies. How they affect us, the characters in our own stories, depends on who we are and how remote those events are from us.

For Americans, our cultural scars include the assassination of John F. Kennedy, the race riots of the 1960s, the war in Vietnam, the Challenger explosion, and the September 11 attacks. Each one of these events fundamentally changed how we function as a culture and interact with the world around us. But, there's something else you need to notice about the list. Off the top of my head, I only included events that occurred in my lifetime, or slightly before it. I didn't include the Civil War even though it changed, well, everything, about a young country.

If my grandparents were still with us, I'm sure they'd have included the Great Depression on the list of cultural scars. How did living through the Depression alter how my grandparents interacted with the world around them? They didn't spend money on things they didn't need to. They didn't accumulate "stuff" just to do it. My mother's parents hid cash around the house - although not under the mattress -  because they didn't trust banks. They paid cash for everything and didn't trust or use credit cards either. But I didn't live through the Great Depression. I'm two generations removed from it. So, while I know the lessons from the Depression, I also lived through the "me" generation of the 1980's where the mantra of the day was "why delay gratification? The good times will never end?" Well, they did.

To me the 9/11 attacks were more about the end of American innocence rather than the Kennedy assassination. Yes, we could be touched here in America. Our streets can look like those over seas where unrest is common. The September 11 terrorist attacks created a culture of fear. Politicians now sell it. They get elected because of it. One where we willingly sacrifice our civil liberties and outage at governmental prying for the illusion of "safety." I often wonder if my grandchildren will think the benefit was worth what we gave up.

Okay, sorry I drifted off topic. Back to my point.

Cultures are people too. They have pasts and scars. Those scars in turn inflict invisible wounds on the members of that society. The best stories are recognize this. Kevin J. Anderson's Saga of the Seven Suns has several rich cultures that hide scars. Jora'h, one of my favorite characters from the story, must confront  his culture's despicable acts, and decide whether to bear those scars at the cost of his values or expose those secrets and endanger his people. Each race has a secret that drives its society and present policy/ actions. A culture's present responsibility for its earlier choices is one of the themes in the series. Kevin's consideration and interweaving of these macro-issues makes him one of the best world builders out there.

Paradigm shifts happen when those wounds hit a critical mass and result in change. We change because of our cultural past as much as society changes because of what we do. Our writing should reflect the world around our character, and that world has scars that carve rivulets into its people's souls.