Lizzie T. Leaf Brings the Dead to Life
with DEAD Hot, a new book in her best selling DEAD series.
Will family secrets let her find love with a guy that cats around?
BLURB:
Sharla Gomez’s dream encounter with the man she’s lusted over for months turned into rain-soaked nightmare. Her hopes of love and passion have gone to the dogs. Being a shifter is hell, especially when you’re a Pug/Chihuahua mix, or as some call the breed, a Chug. Even dogs don’t want to be told they’re so ugly they’re cute.
Dorsey Smith wants to get to know the exotic number-cruncher in charge of the strip club’s books. Just his luck she disappeared before he could ask her out for coffee. Instead of taking home the woman he lusts for, he takes home the small, drenched dog shivering in the rain. When he discovers the animal missing the next morning and he senses magic in the air. Has his safe haven been discovered and will his secrets be revealed?
Can two people with deep secrets discover the truth about each other and still find love. Or will the secrets and the evil lurking drive them apart?
EXCERPT:
Damn, he’s hot!
Sharla Gomez clamped her lips tighter to stop the drool pooling in her mouth from running down her chin as Dorsey Smith lowered the case of beer off his shoulder. The sweat drenched tee-shirt clung across his back and the muscles under it rippled. She clinched her thighs together. In her dreams of the hunk nothing obscured the bare skin of this chocolaty delight and she could lick every inch.
"Oh Dorsey, I need a refill." One of the model type chicks clustered around the other end of the bar waved her glass and blew a wet kiss from her injected lips.
Dumb bitch thinks she looks sexy, but that puffed up mouth makes her look more like she kissed an offended beehive. Sharla swallowed hard to force back the bile. Hell yes I’m jealous! What wouldn’t I give to be one of the beauties that muscular bartender rushes to accommodate.
Instead, she had been blessed by the gods with her Mexican grandmother’s love of enchiladas, which also led to inheriting Grandma Gomez’s ass. From her German grandmother, Sharla got her large boobs that helped balance her ass. Those genetics also passed along her big blue eyes, but thanks to Oma Chen being an open-minded kind of gal who married a Chinese, they slanted. Yep, her life had been one big joyful event of teasing when she was a kid.
The combination of mixed genetics led to dreams of finding a male who appreciated unique, if not downright weird.
Weird is exactly where I fall when I start trying to explain I’m a shifter. Any normal guy will run like hell.
The only guys she’d come across outside her community who would appreciate the shifting detail were the really kinky ones. And kinky didn’t appeal to her.
But the guys back home didn’t appreciate her either. Most seem to think the teasing that had followed her through her school years needed to continue. That was the top reason she decided to try a big city once she had her accounting certification in hand.
She rested her chin in her palm and watched Dorsey’s interaction with the women. The sigh that escaped held all the longing she tried not to show.
"Girl, if the lust on your face could be bottled I’d make us both wealthy." Dovey slid onto the barstool beside Sharla, her gaze glued to the other end of the bar. "He is a yummy delight. If he were a chocolate milkshake, I could slurp him up in nothing fast."
"For being the club’s owner, you’re a dirty old woman. Comments like that can get you slapped with sexual harassment if the wrong person overhears."
Buy Links:
MUSA Publishing
Amazon Kindle
Barnes & Noble
All Romance eBooks
Nancy again.
I haven't read this particular installment of the Dead series, but the first book in the series, Dead Awake, is really wonderful. Lizzie's characters are strong and well defined. You get pulled into the story from the outset. So, please check out Lizzie's Dead series.
Learn more about Lizzie T. Leaf on her website and blog. Connect with Lizzie on Facebook and follow her on Twitter.
Wednesday, November 28, 2012
Monday, November 26, 2012
Kill Your Darlings
I have a long post at Fictorians today about what to do with your novel in the aftermath of NaNoWriMo so I'm going to try to keep this post short. Yea, I know. My chances aren't high. Still, I'm going to make the attempt.
There's something I said at Fictorians that I wanted to spend a bit more time with here. For the full story, check out the Fictorians post here. The short version is I've seen stories where the writer's unwillingness to trim out the fat i.e. his "darlings" (those bits that while the writer loves them don't advance plot or character) have poisoned the entire story and made it unpalatable. I've seen this tendency to keep "darlings" in stories I've rejected at Flash Fiction Online as well.
Stephen King coined the phrase "kill your darlings" in On Writing. For this we all owe him a debt. But, killing our darlings isn't easy. The first step in the process is identifying a "darling."
So, how do you know when something is a "darling" to be killed rather than a bit that needs reworking?
For me, there are three ways I know a section, or an entire story, is a "darling."
1. The section doesn't advance plot or character, or is misplaced.
These are the "darlings" you hope to discovery on your first editing pass. Sometimes they are hard to pick out though. You may have a scene characters walking around a bazaar to set the place. If that's all the characters are doing though, the scene may really be a darling. The scene could be saved by showing character - what the point of view character notices - or somehow advances the plot by giving the reader a hint he might not realize at the time. I find my "darlings" tend to be more like "in jokes", funny to those who know, but incomprehensible to the rest of your readers.
In the play I mentioned in my Fictorian's post, I remember a "darling" where the main character's (a writer) characters were trying to figure out what an item was. The payoff for the scene was a bad pun. From a technical stand point, the scene is a good example of how point of view affects a story. From a storytelling point, the scene was a disaster as the joke didn't advance the arc in the play. It needed to be deleted even though more than 20 years later, I can still remember it.
Clever turns of phrases also fall into this slot. The image might be vivid, but if it's in the wrong spot, it's a "darling" that needs to be killed. As an example the phrase "threw it away from her like last week's rotten fish" is evocative but it doesn't belong in a love scene where the main character rips off her boyfriend's shirt and hurls it across the room.
2. The section doesn't fit into any plot box.
I've written about the Hollywood formula, but in essence, the "formula" states that to bring the viewer a satisfying story, that story must hit certain "beats" and turning points. Some of these points are the "bad guys close in" and "all is lost" moments. If I can't name the beat the scene is serving, it is probably a "darling."
3. My readers' feedback is "hu?" or many people note a problem with the section.
Beta readers are invaluable. Sometimes the best feedback a reader can give you is "hu?" A "hu" means either your writing wasn't clear or the reader doesn't understand why the scene is in the story. The second is a "darling" that must be killed.
If a number of your readers are calling your attention to a particular section, you have a problem there. While the reader might not be able to articulate the problem, those sections need to be scrutinize. If the problem is that the section is a "darling" you may need to kill it.
I had several of these "darlings" in Kalypso's Song, published in Shots at Remdemption. This story started as an experiment. I wanted to see if I could keep the feel of a Homerian story in a contemporary romance. I read about thirty different translations of the Odyssey, many of which were in the public domain to get the feel of the style. Yet, as I got feedback, the sections where I most closely imitated the Homerian-era voice were the ones were I received complains of being too "purple." Despite the fact that those bits were the ones I was the most proud of, I cut them because the were hurting my story.
"Killing your darlings" isn't easy. But it's necessary. I hope my guidelines for ferreting out "darlings" help make your writing strong.
There's something I said at Fictorians that I wanted to spend a bit more time with here. For the full story, check out the Fictorians post here. The short version is I've seen stories where the writer's unwillingness to trim out the fat i.e. his "darlings" (those bits that while the writer loves them don't advance plot or character) have poisoned the entire story and made it unpalatable. I've seen this tendency to keep "darlings" in stories I've rejected at Flash Fiction Online as well.
Stephen King coined the phrase "kill your darlings" in On Writing. For this we all owe him a debt. But, killing our darlings isn't easy. The first step in the process is identifying a "darling."
So, how do you know when something is a "darling" to be killed rather than a bit that needs reworking?
For me, there are three ways I know a section, or an entire story, is a "darling."
1. The section doesn't advance plot or character, or is misplaced.
These are the "darlings" you hope to discovery on your first editing pass. Sometimes they are hard to pick out though. You may have a scene characters walking around a bazaar to set the place. If that's all the characters are doing though, the scene may really be a darling. The scene could be saved by showing character - what the point of view character notices - or somehow advances the plot by giving the reader a hint he might not realize at the time. I find my "darlings" tend to be more like "in jokes", funny to those who know, but incomprehensible to the rest of your readers.
In the play I mentioned in my Fictorian's post, I remember a "darling" where the main character's (a writer) characters were trying to figure out what an item was. The payoff for the scene was a bad pun. From a technical stand point, the scene is a good example of how point of view affects a story. From a storytelling point, the scene was a disaster as the joke didn't advance the arc in the play. It needed to be deleted even though more than 20 years later, I can still remember it.
Clever turns of phrases also fall into this slot. The image might be vivid, but if it's in the wrong spot, it's a "darling" that needs to be killed. As an example the phrase "threw it away from her like last week's rotten fish" is evocative but it doesn't belong in a love scene where the main character rips off her boyfriend's shirt and hurls it across the room.
2. The section doesn't fit into any plot box.
I've written about the Hollywood formula, but in essence, the "formula" states that to bring the viewer a satisfying story, that story must hit certain "beats" and turning points. Some of these points are the "bad guys close in" and "all is lost" moments. If I can't name the beat the scene is serving, it is probably a "darling."
3. My readers' feedback is "hu?" or many people note a problem with the section.
Beta readers are invaluable. Sometimes the best feedback a reader can give you is "hu?" A "hu" means either your writing wasn't clear or the reader doesn't understand why the scene is in the story. The second is a "darling" that must be killed.
If a number of your readers are calling your attention to a particular section, you have a problem there. While the reader might not be able to articulate the problem, those sections need to be scrutinize. If the problem is that the section is a "darling" you may need to kill it.
I had several of these "darlings" in Kalypso's Song, published in Shots at Remdemption. This story started as an experiment. I wanted to see if I could keep the feel of a Homerian story in a contemporary romance. I read about thirty different translations of the Odyssey, many of which were in the public domain to get the feel of the style. Yet, as I got feedback, the sections where I most closely imitated the Homerian-era voice were the ones were I received complains of being too "purple." Despite the fact that those bits were the ones I was the most proud of, I cut them because the were hurting my story.
"Killing your darlings" isn't easy. But it's necessary. I hope my guidelines for ferreting out "darlings" help make your writing strong.
Thursday, November 22, 2012
Happy Thanksgiving.
For most of us in the United States today is a day we pause to reflect on the good things in our lives. And, to be truthful, eat far too much turkey and fixin's.
So, what am I thankful for?
I'm watching the Macy's Thanksgiving Day parade with my sons. Although, my husband growled something about being in the next room where he could hear the parade was close enough for him, thank you very much. Hurricane Sandy did not hit Virginia with force it was originally expected to. My families, birth, surrogate and by affinity, are still intact although members in each group still struggle with serious health issues.
I've had a fabulous year with my writing, including being published in an anthology, having two short story collections and a novella published by my fabulous publisher, Musa Publishing. Because I've had a fabulous year, I was able to meet lots more people in the industry. I joined Flash Fiction Online as a staff member and will attend this year's Superstars Writing Seminar as staff. I am thankful for all of you who read my blog and who have bought my books.
Sure, there are things I can complain about. There always will be. But today's not a day for complaints. It's a day to rejoice in what we have, and realize that there are always others who struggle through with less.
So, thank you. I am deeply moved and honored that you take the time out of your day to spend a little of it with me.
I hope you and your family have a joyous Thanksgiving.
Monday, November 19, 2012
NaNoWriMo - Status update
I have a love/hate relationship with NaNoWriMo. For those of you who don't know, NaNoWriMo is National Write a Novel Month. Every November, writers, professional and amateur, sign to write 50,000 words or more in the month. So, technically, it's not a full novel. Heck, for epic fantasy, it's a half novel. The point isn't as much as completing a novel in a month as it is to get motivated and write. A lot.
I love the idea and the competition, even though it's just myself I'm competing against. I hate the idea that writers should dedicate themselves to this lofty goal for only one month a year. Evan Braun did a great post on being a professional writer all year-round on the Fictorian's site under the title: The Year-Round Professional so I won't replow that ground.
In it's own way, NaNo teaches us how to be a professional writer. To get to 50,000 words, you have to spend some real BIS (Butt in the Seat) time. Sometimes hitting 50,000 words is easy. Other times, not so much. This is my third year participating in NaNo. The last two times, I hit or surpassed the 50,000 mark. After rewriting, I probably only wrote 30,000 usable words each time. But that's nothing to sneer over.
This year I wanted to take a different approach. I knew I was going to lose five or six writing days because I was attending the World Fantasy Convention. Rather than a modest 1,666 words a day, I need to average closer to 2,000 to catch-up. Every day I missed after, and I've missed some, meant my needed daily word count average is closer to 2,500. Knowing that this year was going to be a challenge, I cheated.
Before you scowl. I haven't really cheated. I picked a story that was almost finished. I need about 30,000 words to reach "happily every after." If I hit that point, I'll consider myself a winner. Even if NaNo doesn't. If I finish New Bohemia: Just One Night, I have another novel that I can work on for the other 20,000. So, I'm not that upset that I'm at 16,000 words. I'm halfway to my real goal.
Okay, back to my point. While I can bust 50,000 words in a month, I've done it before from when I was even further behind, my super secret goal is to write 30,000 words I can keep. The writing is slower for my attempt, which is why I'm hovering closer to 20,000 words than the 36,000 I "should" have. So, no tricks for me. No describing a meal in excruciating detail, a suggested tip for making up word count. Honest words. Good clean words. Well, not "clean" since this is erotic romance, but you get the point. So, how am I doing?
“I
don’t want to think. If I think, I won’t be able to do this. Please make me
warm. Stop me from thinking,” May said.
"Oh
fuck, May.”
When Pete rolled his eyes, she sank
her teeth into his neck.“That’s
sort of the point."
There's a point I made that I want to circle back to. I said I "should" have 36,000 words written by now. Why did I put should in quotes? Because "should" means nothing. Writing means everything. NaNo is just one more reason for me to sit down at my desk (or in bed), break out the computer and write.
If you're participating in NaNo, I wish you fast fingers and a prolific muse. You can write 50,000 words in 30 days. See you at that finish line.
Wednesday, November 14, 2012
Guest Post - Sloane Taylor and Masquerade
Today I turn my blog over to Sloan Taylor and her new release from Musa Publishing, Masquerade.
Take it away, Sloane. .
Chicagoan Clancy Marshall has
planned her dream vacation in Venice down to the last detail. From gondola
rides to masked balls, and anything else that just happens along, she is
determined to experience all pleasures. But those careful plans fly out the
door when she literally falls into the arms of a masked stranger.
Vittore Ricci comes from an old
Venetian family that claims two doges in their lineage. A straight-laced Count
and owner of a prestigious hotel, he never does anything without serious
consideration. Until a sexy American tourist offers an opportunity no man can
refuse.
EXCERPT:
Green
eyes sparkling behind delicate shades of purple feathers held him hostage. Vittore
thought he had recognized her the moment she walked onto the pier. When she
spoke, he knew his search had finally ended. Determination and desire had
persevered. The gods had delivered her
into his hands and he wanted to learn more about this mystery woman with her
gay laugh and quick wit, even if it was only for one night.
Clancy
opened her door, then switched on the entry light. At the bedroom, she glanced
over her shoulder, the long plumes brushing her creamy bare shoulder. “Make
yourself comfortable. I’ll be just a moment.”
He
wandered around the room, straightening the pillows on the sofa, adjusting a
wing backed chair and, finally, the magazines scattered across the pecan
desktop. It was there he found a handwritten note caught between the pages. A
little guilt crept in for snooping, but he shoved it aside, eager to discover
more about this sensual woman who intrigued him.
Note to
Self — Loving Venice
1.
Ride in a
gondola2. Climb the Campanile in St. Mark’s Square
3. Attend a masked ball
4. Dance under the stars in St. Mark’s Square
5. Tour a professional kitchen
6. Buy one special piece of Murano glass
7. Fall in love—at least for the night
8. Hear a Vivaldi Concert
9. Attend an opera at the Fenice
10.
Vittore
reread the paper, paying close attention to number seven. He looked out at the
waning moon and sent a prayer of thanks to Raphael the Archangel, the patron
saint of happy meetings, for his good fortune.
On
a whoosh of material, he slid the list back under a book.
“Vittore,
I have a suggestion, a little game to add to the Carnaval mystique. Sort of an adult Twenty Questions. Are you
willing to play?”
“You
spark my interest.” He liked games, particularly in the bedroom. A myriad of erotic
foreplay flitted through his mind. Before they said farewell, his princessa would experience pleasures she
had never imagined. “What are the rules?”
Sloane's a sensual woman who believes humor and sex are healthy aspects of our
everyday lives and carries that philosophy into her books. She writes sexually
explicit romances that takes you right into the bedroom. Being a true romantic,
all her stories have a happy ever after.
Her
books are set in Europe where the men are all male and the North American women
they encounter are both feminine and strong. They also bring more than lust to
their men’s lives.
Taylor
was born and raised on the Southside of Chicago. As a young adult she lived in
the Pullman neighborhood created by that old curmudgeon George Pullman. Studly,
her mate for life, and Sloane now live in a small home in Indiana and enjoy the
change from hectic city life.
She
is an avid cook. Check out “It’s Wednesday. So What’s Cooking?” with complete
menus posted once a week on her blog http://sloanetaylor.blogspot.com/. The recipes are user friendly menus, meaning easy.
Feel free to email her at sloanetaylor@comcast.net to be included
on the Cooking Pals list. These are people who receive an advance email of the
new menu.
I hope you enjoyed Masquerade. I know I did. After all, what's not to love about a strong heroine, an Italian Count and a magic weekend in Venice? Please check out Masquerade.
Monday, November 12, 2012
A Veteran's Day Thank You
In the United States today, we pause to remember the men and women who have served to protect this country. Because they were willing to put their lives on the line for us. we are able to vote for our leaders without fear of death or injury as we did a few days ago.
Take time on Veteran's Day to thank a member of our armed services. If you're in the Washington, DC area visit the Tomb of the Unknown in Arlington Cemetery. Remember that those soldiers stood guard over the Tomb during Hurricane Sandy. The dedication and courage of our troops is awe inspiring.
All I can say is
THANK YOU FOR YOUR SERVICE.
Wednesday, November 7, 2012
Guest Post - Zane's Art
Today, I'm hosting another Musa writer, Sara Daniel and her new release Finally Ever After: Zane's Art. Take it away, Sara . . ..
Finally Ever After: Zane’s Art
I love characters with a past history, especially in a short word
count. They have instant attraction and long-standing unresolved conflict—the
perfect elements for a fast-paced, emotion-packed read. Zane’s Art had all these
things coupled with a strong present conflict.
The story flowed out of me so fast I knew it was meant to be!
Zane’s Art
A high school art teacher must choose between her students
and the artist she never stopped loving.
Excerpt:
She swallowed. “I own them. If I choose to sell them, that’s my business.” And it was breaking her heart to part with the only piece of him that she’d been able to hang onto all these years.
“When they have my name on them and you’re getting rich off me, it’s my business.”
Getting rich was so far from the truth Julianne would have laughed if her chest weren’t so tight. “It’s an honor to have you back in town.” At least her students would think so. Her brother would likely burst an artery. And she—well, she couldn’t even begin to process the mix of emotions she was feeling. “Do you have a minute to talk? I can explain what’s going on.”
“I know what’s going on.”
She hoped he couldn’t hear how hard her heart was hammering or sense how desperately she longed to wrap her arms around him and pick up where they left off fifteen years ago, as if he’d never left her. “Then you know that the arts are at the bottom of the school district’s priority list. To have supplies for the classroom, to restore the school mural, to give my students a chance to explore different mediums, the art program needs an alternate source of funding.”
She couldn’t help feeling defensive at his derisive tone. “Yes, and I love my job.”
************************************************************************
Nancy here again.
Can't wait to see the sparks fly? I know I couldn't. I have to say, I really enjoyed the story. Julianne's dedication to her students prompts her to make a decision she didn't want to, letting go the art that's the only thing she has left from her high school love. Both Julianne and Zane are really likable and Sara does a great job with making the reader understand why the relationship ended the first time. I recommend this lovely novella. To find out how it ends, please check out Zane's Art. It can be found at:
Musa Publishing. - Kindle, IPad, Nook, Android, mobi and .pdf formats

Amazon - Kindle Format
Amazon UK - Kindle Format
Barnes and Noble - Nook Format
Finally Ever After: Zane’s Art
Early this year when Musa posted a submissions call for a series called
Finally Ever After, I jumped at the
opportunity. The stories were to be short, happily ever romances about lovers
who have loved each other and lost. Now,
they have a second chance to create the happy ending they didn’t get the first
time.
High school art teacher Julianne Truman's last chance to save her
beloved art department from budget cuts is to sell the old sketches that her
former boyfriend—and now famous artist—Zane DeMonde drew for her. But is she
prepared to let go of his artwork and the last traces of him in her life?
Desperate to save his artistic reputation from the exposure of his early works, Zane returns to the home town he wanted to forget. He accuses Julianne of profiting from his success and demands she take his art off the market and cancel the auction.
Their high school attraction flares back to life, forcing Julianne to choose between the students who count on her and the man she never stopped loving.
Desperate to save his artistic reputation from the exposure of his early works, Zane returns to the home town he wanted to forget. He accuses Julianne of profiting from his success and demands she take his art off the market and cancel the auction.
Their high school attraction flares back to life, forcing Julianne to choose between the students who count on her and the man she never stopped loving.
“Cancel the auction.”
Julianne Truman’s head snapped around at the hard male voice. The stapler fell
from her hand and cracked open on the floor, as she caught sight of the
extraordinary face that went with the voice. Her knees shook as she climbed
down the ladder. She hadn’t faced Zane DeMonde in nearly fifteen years. At one
time she’d believed he’d be part of every single day of her future.
“Zane, I didn’t expect you to come.” She stepped toward him. His black hair was
a little shorter than the last time she’d seen him, but at shoulder length it
was still far longer than most men’s. Gone were the black hoodie and ripped
jeans of his youth. Now he wore chinos and a sharply pressed blue button-down
shirt, open at the neck.
The dark storms in his cobalt blue eyes were exactly the same as the day he’d
walked away from her. “Cancel the auction. The sketches and painting are not
for sale.”
She swallowed. “I own them. If I choose to sell them, that’s my business.” And it was breaking her heart to part with the only piece of him that she’d been able to hang onto all these years.
“When they have my name on them and you’re getting rich off me, it’s my business.”
Getting rich was so far from the truth Julianne would have laughed if her chest weren’t so tight. “It’s an honor to have you back in town.” At least her students would think so. Her brother would likely burst an artery. And she—well, she couldn’t even begin to process the mix of emotions she was feeling. “Do you have a minute to talk? I can explain what’s going on.”
“I know what’s going on.”
She hoped he couldn’t hear how hard her heart was hammering or sense how desperately she longed to wrap her arms around him and pick up where they left off fifteen years ago, as if he’d never left her. “Then you know that the arts are at the bottom of the school district’s priority list. To have supplies for the classroom, to restore the school mural, to give my students a chance to explore different mediums, the art program needs an alternate source of funding.”
“You’re the Dentonville High art teacher?”
She couldn’t help feeling defensive at his derisive tone. “Yes, and I love my job.”
“Do you? Or have you never moved beyond your high school life?”
BUY LINKS
Musa Publishing. - Kindle, IPad, Nook, Android, mobi and .pdf formats

Amazon - Kindle Format
Amazon UK - Kindle Format
To learn more about Sara Daniel
and her work, please visit her website http://www.SaraDaniel.com and blog. http://saradanielromance.blogspot.com
Stay connected on either or both of her Facebook pages
http://www.facebook.com/SaraShaferDaniel
Remember, Sara is also only a tweet http://www.twitter.com/SSaraDaniel away.
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